objects and installations by Christian Blau

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statement EGO TWIST

EGO TWIST starting from 2020 in progress

  • fake
    FAKE 85 x 65 x 7 cm (33,46 x 25,59 x 2,76 inch) mixed media on canvas and wooden frame christianblau 2020
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  • houses of the holy
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  • idol
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  • intro
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  • perfektion
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  • psycho killer
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  • sign of the times
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  • you can´t hurry love
    You can`t hurry love 65 x 105 x 5 cm (25,59 x 41,34 x 1,89 inch) mixed media on canvas and wooden frame christianblau 2020
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Kubrick´s Darkroom 2002-2004

kubrick`s darkroom

talktalk 2003

talktalk

Teflon 2004

is a comment on the threats that are artificially produced through media, used not only by filmmakers but more by politicans

scope art fair, los angeles,
(one man show)

OVER EXPOSURE

OVER EXPOSURE

disco 45 soundobjects / 2000

echochamber, hamburg 2002
'disco 45', Galerie Eikelmann, Düsseldorf, (solo) 2000

closed eyes 2000

exhibited at: 2000 Halle Schanze, Hamburg, (solo)

Omertà 2001

"omertà"
is the sealed lips rule of the mafia
if you don´t follow - you´ll die

Gelb 2002

Multiple Layers 2002

Hamburger Bären 1997

'Hamburger Bären', Halle i, on stage, Hamburg, (solo)

Blau´s work reveals the production process of opposites that, really, belong together.

Stevie Schmiedel

Heute geht Christian Blau ähnlich mit seinen Materialien um, nachdem Kunstrichtungen wie "Zero", Konzeptkunst und pop-art die Kunst intellektualisierten, bzw. Themen populärer gestalteten.

Dr. Simone Engelke

Blau´s title is blunt in its critisism of the relentless attention focused on Monroe and the role it likely played in her eventual death.

Helen Delacretaz, Chief Curator, The Winnipeg Art Gallery
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